I guest curated an exhibition of Magic: The Gathering artist proof cards

It’s the third time I’ve done it, all at Nucleus in Los Angeles, CA. This latest iteration was larger than the last by about 10%, consisting of 333 sketched, inked, and painted Magic artist proofs from 111 of the game’s artists, numerically themed to celebrate Magic’s 33rd birthday in 2026. I chose each artist, in many cases helped them choose their three cards, and made sure that an email invitation translated to three miniature masterpieces hanging on a wall at the end of January. Cards from all corners of the globe across six continents came together in a single room in Southern California, and it was magnificent.

The gallery, a calm before the storm.

An indoor art gallery with a rack of miniature paintings on Magic cards, lit by calm track lighting attached to the ceiling

An indoor art gallery with a two sets of miniature paintings framed in a 4x3 grid

An open indoor gallery with wooden floors and white walls, featuring a rack of miniature framed paintings on the backs of Magic cards

The online Patreon Preview was brisk with sales, selling more than half the show in the first evening online. The following day the show opened in person, and was the most well-attended of any of the three shows, with patrons, collectors and fans filling the gallery for three full hours until it was time to lock the doors.

Three photos of crowds of people standing inside an art gallery.

Attendees on Opening Night

The show officially ended its public viewing on February 15th after a two-week run, but the remaining works will stay available online for about a year. But this past weekend, it crossed an incredible threshold in one fell swoop, making it the most successful endeavor yet in all aspects:

  • Over 70% Sold – 236 out of 333 available proofs
  • Over $100,000 in sales. $101,652 to be exact, as of the writing of this article. 

It still feels surreal to see numbers like as a result of more than a half a year’s hard work. Artists from around the world get money in their pocket, collectors get something special with provenance, and a gallery that is fighting the good fight for art can fight for another year. A crazy idea four years ago is now much less crazy, and has become something folks look forward to. And a six-figure show to boot? How neat is that?

Press

There was more show press for this event than any other, and contrary to what you might read on social media from one Vorthos Mike, it wasn’t just me yelling into the interwebs. These are the quick links your perusal, edification, and enjoyment (and for future reference):

Announcing Magic: The Gathering in Miniature III

Tiny Treasures by Sarah Finnigan

Magic: The Gathering in Miniature III Substack Show Preview

An Interview With Donny Caltrider, Ahead of Magic in Miniature III by Josh Nelson

White Chip Art Guest Post: Magic: The Gathering in Miniature III by John Dale Beety

Magic in Miniature III: An Interview With Three of Its Artists by Josh Nelson

Show Highlights

While I could say something exceptional about every artist and each inclusion, I would like to highlight just a handful of works from this third showing. For some it was their very first- first show, first painted, or first proofs period:

A 2x2 grid of miniature paintings. Clockwise from top left: A ginger-haired female masticore with antlers, a purple bird wearing human clothes while holding a microphone, a snake locked in combat with a bird, a glowing woman with bright eyes and energy coursing across her chest

Clockwise from top left: Gary Baseman, Feifei Ruan, Kaitlyn McCulley, Carly Milligan

Watching folks level up from show to show, or after a long hiatus, is a curator’s treat

A 2x2 grid of miniature paintings. Clockwise from top left: A muscular mummy wrapped in cloth with glowing red eyes, a bird flying away into the stars beyond a mouse, a frog depicting the Norman Rockwell self portrait painting, a woman elf with red hair and white skin stands holding a staff in front of a sunset

Clockwise from top left: Jarel Threat, Mariah Tekulve, Danny Schwartz, Darrell Riche

No matter the medium

A 2x2 grid of miniature paintings. Clockwise from top left: a long-haired woman's head placed atop a bare skeleton, two humanoid figures running across a bridge of a castle, a humanoid with an anvil-shaped head stands holding a staff, a depiction of Tamiyo the planeswalker looking out from a set of golden flowers

Clockwise from top left: Babs Webb, Rovina Cai, Eli Minaya, Liiga Smilshkalne

And that’s just 12 of over 300 pieces. Every single one has a story to tell. Maybe when we get to one or two more a book will be in order.

Work Still Available

As I mentioned before, unsold pieces will remain available for about a year, coming offline in early 2027. If you haven’t yet checked out the show (or decide you’d like to come back for more), these are also some highlights of what’s still available:

Triptychs from Bud Cook, Jeanne D’Angelo, and Schmandrew

Three miniature paintings depicting three different images of human men: one wearing the uniform of a cop, one an inmate jumpsuit, and one the trenchcoat of a detective

Three miniature paintings on the back of Magic cards, depicting a triptych of three mythological creatures which look like griffons. Two griffons frame a single one in the center, with the sun, moon, and stars depicted behind themThree miniature Magic card paintings paired with each other, all depicting a close up composition of a human face with glasses, but in different colors.

 

A 2x2 grid of miniature paintings. Clockwise from top left: A purple and horned spiny dragon breathing fire, an olive drab dragon breathing a lime green energy beam, a yellow-orange-purple amoeba-like organism, an orange dragon depicted in front of liquid magma

Dragons from Justine Jones, Allen Douglas, Tyler Walpole, and in his own way, Erol Otus

A 2x2 grid of miniature paintings. Clockwise from top left: Vivien Reid the Magic planeswalker depicted as a Black woman with green eyes and short hair tied back with a headband, a devil holding a falchion sword while grasping a struggling human, a close up of human eyes gushing massive tears out of them, a close up of Mecha Godzilla the metal kaiju monster

Planeswalkers and Legends from Zara Alfonso, Aaron Riley, Ben Hill and Nicholas Gregory

Three miniature illustrations on the back of Magic cards. Pictured from left to right: A yawning skeleton, a bearded man standing beside a dragon, and a Gundam helmet facing towards the viewer

And inks from Sam Heimer, Jody Clark, and Crom

Less than 100 APs remain available, and that number drops each day. While the gallery will be having a Spring Sale and a Black Friday Sale before these come down for good, the time is now if you find something you love!

Thank You

Something of this scale does not happen on its own, and special thanks are in order.

To my wife and son: No undertaking like this comes lightly, and without sacrifice of time and energy to other things. Thank you for letting me live my dream.

To Nucleus, gallery owner Ben and the absolute force of a curator, Nicki France: Thank you for taking a chance on a guy with a lot of ‘little’ ideas when you absolutely did not have to. Hard to believe we’re here!

To the artists: This show does not happen without you, and your trust in me. Thank you for giving up your time, energy, and dollars to keep the tide rising for all boats. You are what make this exceptional.

To the collectors, and shout out to the AP Discord: none of this happens without you either; your support of the artists, and your support of me. Thank you for always showing up, and making this niche the greatest in the whole game

To the Sickos, and the Known Associates- you all know who you are- your belief in me is unwavering and your encouragement electrifying. Thank you for being the sounding board of sick ideas, for together we can make this place weirder, and better for it.

To the folks that hyped this show in print and online- Sarah Finnigan, John Dale Beety, Nick Wolf and Josh Nelson at EDHREC, and all the people that posted photos and videos during the opening and the week after: your assistance was essential, your excitement is infectious, and it has made all the difference.

And finally, a thank you to Rhianna Wilson, the Senior Art Administrator at Wizards of the Coast.

A white man with eyeglasses and a brown beard, wearing a sportcoat and jeans, stands beside a white woman with short brown hair, in a red dress with autumn leaf prints on it

She is responsible for coordinating every single artist proof that passes to an artist’s hand. Thousands upon thousands of cards a year. Making sure they’re made, up to standard, and get where they’re going. She cares so incredibly deeply about this, and came to the show on her own volition. I could not do any of the things I do without her being the greatest of all time at what she does. And I truly mean that.

To everyone who touched this exhibition in some way, thank you. 

Wrapping Up

Before I wax poetic any longer, we’ll wrap this up. I usually don’t write things like this, but Magic: The Gathering in Miniature III was a record-setting endeavor by all metrics, and one I’ll likely never best. It was an exercise in making something that matters, helping to create the Giant in hopes that someone else in the future will have a shoulder to stand on. It was an unbelievable experience, an incredible amount of work, and I’d do it all over again given the chance. 

And with that…

Stay tuned. 

the roman numerals of "IV" for the number four

Donny Caltrider (he/him) has been writing about Magic: The Gathering art since 2018. He has an M.A. in Museum Studies from Johns Hopkins University, and works in varying capacities as an agent with nearly 50 Magic artists.

He likes baseball, Magic, good cards, great art, whiskey, and you.

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